01
You are weeks from a release and the bio is still blank.
The masters are done, the date is set, the page is empty. You keep opening the doc and closing it.
Who it's for
Built for the artist with no publicist.
You finished the music. Now you have to sell it. And a good bio costs more than the recording did, then reads like everyone else's anyway.
The wall every curator reads
Every bio sounds the same. Strike the hype and watch it cool.
These are the lines a curator reads all day, on every pitch, from everyone. Click one to strike it, or run your cursor across the wall like a reading. When the heat is gone, see what was actually under it.
Hype detected
10 of 10 left
Strike the hype. See what is left.
All hype, nothing under it. Thermal finds the part that is real and writes from there.
One artist, two bios
Same artist. The difference is everything.
This is Sable Reyes: slow desert country, cut live to tape in a converted horse trailer outside Tucson. Toggle between the bio anyone could write and the one Thermal reads off the music itself.
Hype, runs cold
Sable Reyes is a genre-defying artist redefining Americana with a sonic journey like no one else.
Five adjectives, zero facts. A curator has read this exact sentence a hundred times today. Nothing in it tells them what the record sounds like.
Is this you
If any of these is your week, Thermal is for you.
02
You have finished music sitting unsent.
A record you are proud of, and no idea how to write about it without sounding like a press release for someone else.
03
Curators and blogs keep skipping you.
You send the pitch, you hear nothing back. The music is good. The framing is doing you no favors.
04
You cannot afford a publicist, and templates feel fake.
The quotes are out of budget. The fill-in-the-blank kits feel like lying. You want something true, fast.
An honest line
Who Thermal is for, and who it is not.
No tool is for everyone. Thermal works from what is true about your music. If you want it to invent more than that, this is not the tool.
For you
- Independent artists writing their own release copy
- Small managers handling a roster on a budget
- DIY releases that need a real bio, EPK, and pitches
- Anyone tired of copy that reads like every other pitch
Not for you
- Anyone who wants invented hype over what is true
- Padding numbers, fake streams, or borrowed credits
- Copy that overreaches what the music actually is
- Claiming a sound the record does not have
Run a reading
Read your own music.
Describe what you made. Thermal reads what is true, strips the hype anyone could write, and renders the kit you actually send.