Who it's for

Built for the artist with no publicist.

You finished the music. Now you have to sell it. And a good bio can cost more than the recording did, then reads like everyone else's anyway.

The math no one warns you about
The recordingthe gear, the room, the mix
A bio that gets reada publicist you cannot afford

You paid to make it. Paying someone to explain it can cost more still. Thermal writes the bio from what is already true, for the price of a reading.

About to release Music sitting unsent Tired of getting skipped

The wall every curator reads

Every bio sounds the same. Strike the hype and watch it cool.

These are the lines a curator reads all day, on every pitch, from everyone. Click any line to strike it, or clear them all at once. When the heat is gone, see what was actually under it.

Hype detected 10 of 10 left

Strike the hype. See what is left.


One artist, two bios

Same artist. The hype struck, the true line kept.

This is Sable Reyes: slow desert country, cut live to tape in a converted horse trailer outside Tucson. Toggle to the redline to see what Thermal strikes from the bio anyone could write, and the line it keeps instead.

Hype, runs cold Reads like everyone

Sable Reyes is a genre-defying artist redefining Americana with a sonic journey like no one else.

Struck: Sable Reyes is a genre-defying artist redefining Americana with a sonic journey like no one else.

Kept: Cut live to tape, her debut EP. A baritone guitar, a broken Wurlitzer, one voice, the room left in.

Five adjectives, zero facts. A curator has read this exact sentence a hundred times today. Nothing in it tells them what the record sounds like.


Is this you

If any of these is your week, Thermal is for you.

01

You are weeks from a release and the bio is still blank.

The masters are done, the date is set, the page is empty. You keep opening the doc and closing it.

02

You have finished music sitting unsent.

A record you are proud of, and no idea how to write about it without sounding like a press release for someone else.

03

Curators and blogs keep skipping you.

You send the pitch, you hear nothing back. The music is good. The framing is doing you no favors.

04

You freeze when you have to write about yourself.

Describing your own record feels like bragging or like lying. You would rather make another one than sell this one.


An honest line

Who Thermal is for, and who it is not.

No tool is for everyone. Thermal works from what is true about your music. If you want it to invent more than that, this is not the tool.

For you

  • Independent artists writing their own release copy
  • Small managers handling a roster on a budget
  • DIY releases that need a real bio, EPK, and pitches
  • Anyone tired of copy that reads like every other pitch

Not for you

  • Anyone who wants invented hype over what is true
  • Padding numbers, fake streams, or borrowed credits
  • Copy that overreaches what the music actually is
  • Claiming a sound the record does not have

Run a reading

Read your own music.

Describe what you made. Thermal reads what is true, strips the hype anyone could write, and renders the kit you actually send.